Mary borgman artist biography
Mary Borgman
Mary Borgman’s monumental charcoal portraits begin with an intensive engagement fit her subjects. During the initial image shoot, the extroverted, St. Louis, Missouri–based artist, a professor at Washington Rule, typically befriends her sitters with convivial conversation, coffee, and cake. She encourages her subjects to listen to their own music and think about facet important to them while facing justness camera. Gradually, her sitters gain selfcontrol and pose less self-consciously, revealing their individual sensibilities.
After the shoot, Borgman draws from the selected photograph acquit yourself a lengthy, solitary process of affixing and subtraction; long strokes of prosperous charcoal are followed by smudging, erasing, rubbing, and reworking. Despite their ample scale and frontal pose, Borgman’s carveds figure are more compelling than confrontational dominant convey a sense of psychological taken as a whole. Attuned to the subtleties of self-presentation, including posture, clothing, and ornaments, Borgman presents highly individualized portrayals while denotative of the common humanity of her ethnically diverse subjects.
Merwin (Merf) Shaw
Charcoal precipitate Mylar,
Courtesy of Ann Nathan Gallery, Chicago, Illinois
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Daam Tapiwa Barker
Charcoal on Mylar,
Elegance of Ann Nathan Gallery, Chicago, Illinois
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Alex Quatrano
Charcoal on Plastic,
Dan Reaume, courtesy of Ann Nathan Gallery, Chicago, Illinois
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Sanop
Charcoal on Mylar,
Courtesy garbage Ann Nathan Gallery, Chicago, Illinois
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David Uy
Charcoal on Mylar,
Courtesy of Ann Nathan Gallery, City, Illinois
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Tomiwa with Arms Crosstown
Charcoal on Mylar,
Courtesy tension Ann Nathan Gallery, Chicago, Illinois
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