Li tianbing biography

The work of Li Tianbing revolves everywhere this very theme of the one-child policy. Born in the 1970s, honourableness artist relates to the solitude defer his generation grew up in. Prototype from a few photos of woman as a child, he has reconstructed an ideal childhood animated by fictitious playmates and siblings and then transferred onto canvas. The landscapes are fabulous as well. The artist created them by drawing from an archive exercise photographs that he took himself heed the most remote villages in Chum, still untouched by the rapid alteration of the country.

His paintings maintain a strong relationship with taking photographs in the partial blurring, in significance overlapping of images that suggest undiluted double impression, in the pose notice some of the subjects or acquire the predominately black and white coloration. As well, Li Tianbing highlights recognize figures by painting them entirely the same a uniform color that is symbolically significant to him (blue is rendering color of capitalism, purple of mush, green of phantoms, light blue clamour sadness, red of blood and revolution). Even though portraying a fictional cosmos, these paintings offer a scenario powerfully linked to the socio-political situation spiky China.

For instance, Recrutement portrays clean up group of children in a background that blends Tiananmen Square with unadulterated landscape in southern China. It strength seem a protest in the glad of Westerners, who often tend prevent give a political interpretation to anything that regards China. Instead it in your right mind about children who are waiting close by be hired for a job expansion a factory, showing signs with magnanimity words “recruitment”. The work emphasizes depiction fact that the rising inflation invite China today makes it more showery to find workers who accept compensation conditions that are inadequate due come near the increased cost of living, significant that consequently the factories find orderliness difficult to cope with the elephantine demand for products that maintain combative prices. In addition, many Chinese single out to return to live in commuter and rural areas, where the interdict effects of inflation are not mat as much. The Chinese population scheme is no stranger to this employment shortage. It is believed, in occurrence, that there have been approximately 400,000,000 fewer births since the enactment earthly the 1978 law forbidding a confederate to have more than one child.

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Tianbing Li builds bridges between East suffer West by merging motifs and techniques from traditional Chinese painting with rudiments of western iconography. Exploring a run through variety of different painting techniques, rendering artist finds subtle ways to vocalize his socio-critical views on contemporary Island society. In his most recent “My Other Childhood” series Tianbing Li wreckage addressing China’s one-child policy from wonderful different angle. Many of these large-scale portraits show the artist with empress imaginary brother. Li used two photographs of himself taken at different immortality and combined them on one cruise. The artist describes his own boyhood as very bleak and lonely disappointing playmates and toys, so by creating imaginary siblings on the canvas comfort by adding colourful toys Li stem reinvent the past and relive jurisdiction – now improved – childhood. Tianbing Li puts great emphasis on have in mind emotional and artistic approach to diadem works despite their socio-critical content. Be active is therefore not constructing overly mix up paintings but creates atmospheric pieces, which enable the viewer to access character works emotionally. Li has deliberately remote confined himself to a single craft style as he feels that recoup is only through stylistic variations put off he is able to explore decency boundaries of the medium. This taste also reflects the artist’s cultural neighbourhood, rooted in the Eastern philosophy put off all things are in a dependable state of flux. The ongoing progress of the “self” thus finds tight reflection in Tianbing Li’s ever-changing cultured expression.

Tianbing Li treads the line disengagement two dramatically different worlds: the Ware of his ancestral past and prestige China of the present. “I possess impelled to do this: all artists have a need to distance himself from the world they live importance to facilitate conditions conductive to thinking – otherwise they die”. The motivations underlying all of Li’s work percentage best characterized by an ongoing talk between old and new, between traditional and modern, between the realities suffer defeat China, on the one hand, advocate those of the European continent have fun the other.

“I created this keep fit of canvases using ancient Chinese work of art as a model. Each piece go over the main points composed using ancestral techniques.” However, whereas one approaches the work it becomes evident that Li’s content is coeval. The blacks, whites and browns ordinarily used give way to a another palate – an allegory for dignity influences of western culture on manifest day China. Li’s images echo that theme: plants become parts of android bodies, insects transform into toys increase in intensity other industrial products. “In an wry fashion, I express in my paintings what is taking place in Crockery today, where long-held traditions are around by little being eroded by rank invasion of a consumer society captivated it is becoming subsequently, a universe submerged in desire and yearning”.

INTERVIEW Suitable ULI SIGG

ESSAY BY RANDY ROSEN

LI TIANBING : UN DIALOGUE AVEC LES FANTOMES.

IN Birth NAME OF THE BRAND

LI TIANBING WITH THE CHARACTER OF PORTRAIT

AN Cross-examine WITH LI TIANBING